Culture
Culture
Culture
Pride, Bolts, and Prejudice: Yosemite’s Holy War Over Snake Dike
Culture
“Not Everyone Has the Luxury of Going Out and Suffering in the Mountains”: Is Outdoor Culture a Bourgeois Thing?
Culture
The Dirtbag Myth and the Art of Media Spin
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“Climbing as a School for the Body”: Philosopher Hil Malatino’s Life in Transition
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Fontainebleau Boulder: The Man Who Lets the Boulders Speak
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“I Need That Verticality to Feel Alive”: Christophe Dumarest, a Mountain Guide Reckoning With Life
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Climbing & Capitalism: The Death of Climbing Culture?
Culture
From Outer Space to the Climate Crisis: A Rébuffat Photo as a “Witness to Glacier Retreat”
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Desire Lines: A New Platform for Marginalized Voices in Climbing and Mountaineering
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La Traversée Sagittaire: Raphaëlle Damilano and the Himalaya as Inheritance
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Alex Honnold Didn’t Love Being Cast as the Villain in The Dark Wizard
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How Summit Journal Raised the Bar for Climbing Journalism
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Dean Potter: The Mystical Climbing of a Troubled Legend
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Raúl Antón: “Is Climbing a Philosophical Tool—or Is It the Other Way Around?”
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Laura Pineau: “I Decided to Stop Showing People a Perfect Version of Me”
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Jean-Luc Marion: “Climbing Is Something No One Else Can Do for You”
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The Mountain and the River: Why Climbing Is Better When It Holds Together
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Is the Climbing Gym a Dopamine Machine?
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Alain Robert: A Punk’s Revenge
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Alain Robert: Revenge of a Rock
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“On Not Climbing Mountains”: Refusing the Fantasy of Masculine Conquest
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Alain Robert: The Revenge of a Kid
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Alain Robert, an Injured Climber’s Comeback
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Hugo Perez’s Chaos: In Praise of Falling
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Le Bord De La Terre: An Exhibit About the Vertigo of a Mountain Slipping Away
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Archiving the Relief: A Vertical Dancer Staring Down Collapse
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Lauriane Miara: “There’s Only One Thing I Wish for Us: To Live in Peace”
Culture
Alain Robert: Revenge Under the Skin
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