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Diary of a Climbing Gym Front Desk Worker Who Hates You, Politely

35 minutes ago
8 min read

Every climbing gym has someone whose job is to check people in, remember their names, build a sense of community—and clean up after it. From behind the front desk, that person also gets a front-row seat to the habits of a new crowd that has come to climbing in part because of what the sport allows them to say about themselves. This piece imagines the inner monologue of one of those workers.


Grimpeur hipster ?
(cc) Fethi Benattallah / Unsplash

I don’t know what you do for a living, but I could probably guess.


It’s the way you walk in with a laptop under your arm, finish sending a message before looking for your membership card, say “long day” while taking off a jacket designed to survive a storm in Patagonia. I work the front desk at a climbing gym in Paris. I see you six days a week. I know your habits, your conversations, the way you look at new faces. After enough field observation, I’m also starting to understand the difference between what you come here to do and what you like it to say about you.

To be clear, I’m not talking about everyone. Just this new species of climber that emerged from the post-Covid collision between the indoor climbing boom and the explosion of commercial “outdoor” culture. A group whose value system I recognize because, let’s be clear, it’s also mine.


The Devil Wears Patagonia


So you climb.


You also like the fact that this choice sets you apart from the people lifting iron in front of a mirror. You’d like to look better too. You just want to get there in a culturally acceptable environment. From behind my checkout screen, you’re starting to look a little alike. There’s your age, somewhere within sight of a midlife crisis. The relentless positivity in the face of constant failure. Or, more simply, the tiny tattoos that look like something you once doodled in the margin of a notebook, except now you carefully chose someone to put it on your body.

You wear pants loose enough for climbing, working, buying fennel, and weighing in on someone’s renovation. A technical fleece. Sneakers in colors complicated enough to look understated. You don’t necessarily have money. Some of you are waiting on an unpaid invoice, counting how many gym sessions you can afford, still living with roommates. Your capital is mostly cultural: references, vocabulary, a finely tuned sense of what deserves attention. It won’t pay the rent, but it does let you walk into certain places without ever wondering whether you belong there.


The crimp has replaced your funky little bottle of natural orange wine. You say ‘drop-knee’—turning one knee inward to get closer to the wall—with the same casual authority you once reserved for talking about aged cheese.

Within a few months, you know the setters, the different areas at Fontainebleau, which climbing shoes are worth resoling. You’re not very good yet, but you can already spot someone who has no idea what they’re doing.


Climbing suits you remarkably well.


You work your shoulders, but call it movement. You compare performance, but in a language of your own. The same kind of language that once gave you an edge at lunch in the city, only less mainstream. The crimp has replaced your funky little bottle of natural orange wine. You say “drop-knee”—turning one knee inward to get closer to the wall—with the same casual authority you once reserved for talking about aged cheese.


At the increasingly rare dinners you still have time to attend, your detailed explanation of climbing’s Olympic growth has replaced your take on the latest attempt to unite the left.

You hate competition. I simply notice that you know which of your friends sent the black problem in the back. Tank tops bother you because of what they seem to say about the people wearing them, but you’re perfectly happy to roll up the sleeves of your “slightly oversized” T-shirt. You make fun of strength-training programs, then spend twenty minutes discussing the best way to train your fingers. I understand the appeal. In bouldering, the efforts are short and the problems are concrete. For people who spend their days discussing things with no obvious finish line, grabbing the final jug with both hands must feel incredible.


Raclette, Counterculture, and Exposed Concrete


You’ve found a scene that looks like your world while pretending it escaped from it.

You strike up conversations with strangers, then discover you share three friends, a former tech employer, and the same tiny music festival last summer. Small world. The price of admission and the neighborhood demographics help. The codes do the rest. Where to put your stuff. How to wait your turn. When to cheer. Like beta—the sequence of moves used to solve a climb—it can all be learned. That doesn’t stop you from carrying your contradictions onto the wall. You judge the person climbing in socks, then give them a little nod after their attempt. You quietly make fun of the guy doing pull-ups, then go ask him for advice. In life, too, you like moving comfortably between different worlds. That openness is part of your charm. It also lets you feel at ease almost anywhere while making it clear you know exactly where you are. You can genuinely enjoy something you were mocking five minutes earlier. You have enough cultural references for it to read as curiosity rather than bad taste.


The gym, for example, inspires a remarkable number of volunteer careers in playlist programming, art direction, and beer selection. When it comes to squeegeeing the showers, however, we prefer to maintain a more professional distance.

That’s what I like about your conversations at the front desk. I’ve learned to let certain sequences speak for themselves. I’ve heard you explain that you like this gym because it feels simple. It took nine months of construction to achieve that simplicity. The exposed concrete, pale wood, plants barely surviving the chalk dust—none of it happened by accident. People used to ask whether we had a steep overhang. Now some of you want to know who designed the space. You inspect the coffee machine before you even say hello. These are the subtle signals you use, almost anxiously, to make sure you’re in the right place. I hear you talk about your neighborhood the same way. You found more space there, and a more mixed social scene. You’re thrilled that an organic produce shop opened downstairs. You’re already a little worried that a second one might.


You don’t want the sports club your parents belonged to, with its obvious hierarchies and conversations about success. But you do want to keep choosing the people around you, the setting, the level of peace and quiet. Here, nobody asks what you do for a living to decide whether you belong in the circle. You find other ways to put your soft skills back to work.

The gym, for example, inspires a remarkable number of volunteer careers in playlist programming, art direction, and beer selection. When it comes to squeegeeing the showers, however, we prefer to maintain a more professional distance.

My bosses understand this new spirit perfectly well. They know how to attract customers who like feeling a little “alternative.” They also know how to charge for it. You didn’t come here to buy a countercultural rebellion, obviously. But you don’t mind having a little of its prestige included in the membership price. Your gear tells the same story. You know the different rubber compounds, the small brands, the person who resoles shoes and “does really good work.” You’re not materialistic. Objects just become interesting once they have a story attached to them.


The Unbearable Lightness of Being


You also talk a lot about “outside.”


Some of you go to Fontainebleau every week. Others have spent three years waiting for the weather, the right friends, and their schedules to line up. Even if you never go, the forest still takes up a remarkable amount of space in your conversations. It gives those sessions squeezed between two meetings a horizon wider than keeping your back healthy. At the end of your ten-session punch card, there’s sandstone. There are days when nobody asks for feedback. You like knowing that life exists. You would simply prefer it to remain compatible with a steady income, a nice apartment, and good health insurance.


Here, you can get scared at the top of a boulder while still knowing what time you’ll be home. That’s a rare quality in an adventure. The weather won’t ruin your plans, somebody has checked the holds, and I’ll be here until closing. You can focus entirely on committing to the move. We take care of the terms and conditions.


What really worries you is the arrival of other people. Not at first. At first, you were the other people. Someone explained the color system to you, lent you chalk, introduced you around. Then you improved. You developed your habits, your connections, your place at the table. You became a regular. And that’s when it starts. Every time I explain the gym to someone new, the look on your face suggests the beginning of a hostile takeover. Suddenly you sigh when groups come in. You ration your encouragement. Then you come tell me the vibe has changed. Small things that remind newcomers they’re walking into somebody else’s place. You wanted to escape the old closed circles. It only took a few months before you started worrying about how big yours was getting.


You’re still learning something. You’re allowed to be awkward, to be scared, to try again without having to justify how long it takes. Your progress does nothing for your company or your mortgage application. It belongs to you.

Sometimes I find you exhausting. But I’d be in a bad position to pretend any of this is foreign to me. I also know the good coffee shops, the clothes that don’t look too new, the places you need to discover before everyone else discovers them. I bought my pants secondhand, then spent an evening looking up how much they cost new. I share your tastes and a good portion of your little vanities. I could be sitting at your table. But tonight I have to clean it. My minimum-wage paycheck doesn’t give me any special clarity. Mostly, it helps me notice the work required to make your life here feel effortless.


Beyond that, I understand the discomfort. We imagined we’d become slightly different kinds of adults. Now we’re discovering increasingly ordinary concerns without feeling like we’ve become ordinary people. You negotiate a mortgage, look for a school, compare contractor estimates. You want your life to leave room for something beyond keeping itself running smoothly. I’m not at the mortgage stage yet. But I’d also like a more comfortable paycheck without feeling like I had to give up everything I enjoy to get one. I’m not sure why I should blame you for looking for an answer to the same problem a few years ahead of me.

So you come here. You’re still learning something. You’re allowed to be awkward, to be scared, to try again without having to justify how long it takes. Your progress does nothing for your company or your mortgage application. It belongs to you. And then there are the other people. The ones who notice when you’re gone, remember your injury, save you a seat.

I watch you help a beginner without trying to show them how good you are. I see you genuinely celebrate when someone sends a problem you use as a warm-up. In those moments, your kindness doesn’t need an explanation. You’re no longer acting out a rebellion capitalism has already absorbed. You’ve stumbled onto something without a barcode or an Instagram-ready symbolic meaning. You find friends. Pleasure. A reason to close your laptop. That’s already a lot. Enough, even, for me to understand why you care so much about this place, despite your tendency to think it feels more open when everyone in it looks a little like you.


Because there is no better moment than when you zip up your bag, turn back toward me, and tell me how well that problem was set. I watch you head back in like you were born to this, grinning, chalk smeared across your cheek. And in that moment, I almost believe you when you say it: Here, you can finally be yourself.


This article is part of a fictional series devoted to the inner lives of the people who keep climbing running—a way of sketching our era through their eyes. Any resemblance to actual people, living or dead, is purely coincidental.

 
 

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